Friday, 31 October 2014

(Poetry/ Vol. 1. ) The Intrinsic Desire . . .

     

Opener of Mists
                  
Opener of mists in my mind’s veiling cloud
The sharp piercing swiftlight falls as a magnet
Touching, drawing, pulling from my depths
Every buried passion for the altering heartache
The sweetest part of the far-wine and my all

From the beginning the desire, from the first day
Of dawning, insistent its call traversing every age
Passing through every wall this opener of shafts
Parting, cleaving my pre-structured blindness
Beauty slays the broken heart as its healer
Teaching, instructing, pulling from my depths
Every buried passion for the altering heartache
The sweetest part of the far-wine and my all 

From the beginning the yearning, from before
The foundation of the world, its invincible forming
Roaming every fabrication of man
Seeping through his every fabled story
Opener of the awakening in his waxed-gross heart
Twoedged, the sword spares no self-hurting deceit
As its turner thinning the inner streams of its forming
Gentle, kind, pulling from the depths
Every buried passion for the altering heartache
The sweetest part of the far-wine and our all

Through every noble heart, that ever was or will be 
The secret glorious yearning and its silent quest
Intrinsic the desire, ever existing ever present its fire
Even before the fall it was forming . . . 
It is gathering strength





(Poetry/ Vol. 1. ) Raptured & Taken




Taken

From the end of the age
Yet from the dawn of time
Someone leveling towards you---  
Sharper than the point of a needle
Faster than the blink of an eye---
Hurtling through the ages
Bent on finding you
Traversing ten thousand mountains
And tearing them all down---
Terrible in his longing to reach you
Glorious in his desire to keep you---
But will you receive him when you see him?
Will you give him all you have? 
Let him take you till you've nothing left? 
To give you all he has







Thursday, 30 October 2014

Writing Saga # 23 / The House of Amethyst Poetry; Part Six


Continued from Writing Saga # 22; The House and its Rooms and its Environs…


  The walled garden:   This was the lovely cultivated paradise I passed through on my walk along the white shell path leading to and from the house. On either side of my pathway was a free flowering in-world of living and growing delight! An oasis. A profusion of watered beauty tucked away from the dry deserts of out-world busyness. Here beds of heart’s-ease and forget-me-not kept me cradled in pools of simplicity and quietness, which are a garden’s gift. Tidy beds of dreamy cottage flowers…tiny infusions of my mind with dreamy distractions…these were the necessary solaced insights that visual loveliness will impart to lonely sojourners. Beautifully ordered in chaotic non-order my cultivated in-garden breathed peaceful diversion. Inner poetry. Fragrant lavender, subtle violas and violets diverting the word-gaze of my writing life onto lighter things, and away from the surface follies of the eminently necessary.

   The wilds:  Between my walled garden and the forest was the orchard; this was so rich a place that I must write it separately. Beyond the orchard was the wilds bounded on one side by the orchard wall and on another by the pine forest and on the remaining two sides by the running brook. Tumbling and tripping over itself, because the wilds sloped down to the river of which my running brook was but a tiny tributary.
   The wilds were wide and free and as uncertain of order as my garden was vivid with it. I loved this place! Thorny briar roses grew here in tangles of raw verbiage and crazy thought. Poetry gone mad. ‘Ragged writings’ gone feral. Blackberry and nettles, dock and thistles grew here in a riot of self, in lost fear-for-skin; and all in a profusion of rank wild grasses in a perpetual abandonment to glorious liberty. Dock and nettle. ‘Good and evil.’ I was free of all earthly interpretations. An antidote for every ill was in this wild place. If I picked any deadly thing it did not harm me.
  ‘It is better every thought should be uttered freely, fearlessly, than that any great thought should be denied utterance for fear of evil. It is only through complete independence that all goodness can be spoken, that all purity be found. …Restrictions hide vice and freedom alone bears morality.’*  I am not loved because I am ‘good;’ I am loved because I am Love’s little child.
                                                                                                                                                                                                                                                        (* Robert Henri; The Art Spirit.)

These are the titles of the next two ‘ragged writings’ of amaranthine poetry:

Taken!

Intrinsic Desire






(Poetry/ Vol. 1. ) Star Finder

(from THE RAGGED WRITINGS OF EVERLAND: Volume One)



Far Finder

Far finder, star finder, pulsar of hope
Rainbows of hard beams
In a star-baby’s stone

Rubies in crystallite all pourings through
Bringing me far-rope
To tie me to you

Far finder, star finder, shedder of light
Cradles of fair worlds
In a little one’s sight

Callings in distant beams all shooting down
Bringing me farlight
To find me in you
           
When will we see you, when will you come?            
When will your little ones
Finally run?                         

When they have farlight all filled up to the brim               
And no more let heart light
Through timidity dim






(Poetry/ Vol. 1. ) Butterfly Bay



Blown of the Wind's Ease

Blown of the wind’s ease in Butterfly Bay
Were thousands of winged things
Flitting by!

Were tempests survived by a lively lament?
Could destiny’s sad-giftings
All spread out?  

Found by the in-breeze in the cradle of life
Were thousands of glimpse-things
Of winged delight!

Dancing’s the remedy for sorrow‘s repine!                  
The butterflies showed me
In rhyming lines    

Up through the twirling air, playing in the calling
Sunbeams in their sad songs
To dance in my mourning

Storms put to rest by my happy demise!
A quick dancing lilt
Comes to catch me up!

Up through the Chesapeake, up through the roof
Up through the hardest part
Of life’s gifted gloom!

Up!  Up! . . . Up!






Wednesday, 29 October 2014

Writing Saga # 22 / The House of Amethyst Poetry; Part Five



Here is a link to a pdf word document of 'little book:' . . .
(The pdf closes and opens in a new Tab at the top of your screen)

Little Book
A Little Book Open: An Opened Person An Open Book




 Continued from:   Writing Saga # 21; the House and its Rooms and its Environs…


  ‘There are moments in our lives, there are moments in a day, when we seem to see beyond the usual. Such are the moments of our greatest happiness. Such are the moments of our greatest wisdom. If one could but recall his vision by some sort of sign. It was in this hope that the arts were invented. Sign-posts on the way to what may be. Sign posts toward greater knowledge.’
                                                           - Robert Henri; 1865-1929; ‘The Art Spirit’


   The attic:   

   Here was the place of my extremes in expression, all rising up from my upstairs rooms and going through their ceilings! And the extremities whistling through were dancing-writing. When joy was so full I spontaneously danced and did cartwheels inside. I guess it’s not terribly normal to dance in one’s attic, but then I don’t rush to be normal. The writings that came out of the attic were the most incomprehensible when I was all-free and free-flowing, and the most simple and plain when I was not so free. But in the attic there was always a passion to ‘recall my vision by some sort of sign;’ and whether the sign was complex or clear, a dance of words would come to me, all at once. And though I couldn’t capture the half of it, or even a millionth part of it, at least there was some small sign of it . . . for my own pleasure even if for no one else’s.

                  
             ‘Cherish your own emotions and never undervalue them.’     - Robert Henri


  The cellar:   

   This was the site of my seeming dark ventures in communication which went below everything else. Here the 'ragged writing' which emerged was entirely composed of a kind of polarity in a total juxtaposition of two intimately experienced opposites: my own soul and my spirit, split, by suffering, divided asunder by the Light which came only out of Darkness; as the light of the stars shines only in the dark. Eventually this writing came together in the angel's hand and became little book . . .


  LITTLE BOOK OPENED.  


     I thought people would welcome it, as it made so shining clear what constituted living faith, which brought delight, and what didn’t: the difference between the holy and the profane illumined and exposed by the Life that is our Light, written inside two parallel columns on the two edges of each page both sides of the page. 

    Few welcomed little book. All the people I sent it to never replied, at all, sadly; and I lost friendships as they withdrew from me. That unnerved me and made me withdraw 'little book;' but at least no one killed me, not yet anyway. So now it lives hidden away on "a little shelf" in "the cellar," away in the place of my glorious "Darkness:" which is that Light that lights every person that comes into the world...the glory within the pitch-dark Most Holy Place, the Holiest of All...safe there within the ark of the covenant...a person.    



                                          *


These are the titles of the next two, very simple dancing ‘ragged writings’ out of the House of Amethyst Poetry:


Star Finder

Butterfly Bay





(Poetry/ Vol. 1. ) Sword of Unpuzzling Paradox

from THE RAGGED WRITINGS OF EVERLAND



Streams Cascading

Streams cascading, crevasses opening
Falling shafts of penetrating light
Seeping through these broad solid rocks 

Sounds of entering truth, double-edged
Sword submerged become part of stone
Part of pain embedded until drawn out

Lifts of sharper seams of purest thought
Piercing the veil the thickness of skin
Dimension of the broadest stone squared

Thinking they knew never fully finding
Though hundreds of years were given
To find of the quest the embedded answer

Stuff of inner dryness the paradox unseen
A verdant first part leaves the second dead
Clinging to one losing the next
So the semblance of a viridian river only

Deceitful rivers narrow for the splaying out
Past pages of unpuzzling paradox for the few
Narrowed given and with a quivering fullness

Clinging things must fall for the unattached
Loosened space there where we were emptied
Then the ease of pulling a sword from a stone

Then the drawing of refulgent lines from rock
Un-jostling phrases of life’s cryptic thought
Spilling out the jangles spread out space there

Peace passing from the crippling applause
Unpuzzling paradox an inner candle rekindles
Patience born of being blown out awhile

Then lit the heart’s treasured cup this sangreal
Only home and container of the broken soul
Homeward parts the enigma’s unravelling gift








Beloved Lover


Beloved lover, lover of all of me
In the fold of your cradling wings
You hold me to you closely bound
Slain, joined as air with air I am
And there...forever...
And ever...
One out of two, one flesh in my beloved
Not the experience of the many but the few 
None follow where flesh has never gone before
None cared to take up the thread least ravelled
Nothing there...
They are gone without leaving a trace











Coalmine Black


Clothed she is in coalmine black
The son has looked upon her
Those people not her people hate her:
From the reflection of their inner face they flee
They dig and delve, they seek and search
But all the time there in their looking-glass book
           
Garnered she is in pillars of smoke
Perfumed with myrrh and frankincense
From the clefts of the rock the voice of the dove
But being paved with pain they couldn’t bear it and fled
They dig and delve, they seek and search
Yet all the time there in their looking-glass book
                         
Immersed she is in the songs of birds
In the secret places of the stairs she lives
With all flowers of the appearing the flight of the dove
But being lined with pain they couldn’t bear it and fled . . .
Ever learning they never learn: ever seeking they never find
Yet it is all the time there, in their seeing of their inner face





Tuesday, 28 October 2014

Writing Saga # 21 / The House of Amethyst Poetry; Part Four


    Continued from Writing Saga # 20 / The House and its rooms and its environs...

   The lean-to kitchen:  A source spot. A sore spot. This was the place in my little purple house of amaranthine poetry for the storing of the raw ingredients of my creations. It was the place for the mixing and concocting of a delicious fresh fare of beautiful writing from the interesting foods of ideas stored in my pantry cupboards.
   Here were condiments, the herbs and the spices to add zest to what was written, as well as the bulk ingredients which formed the base of my ‘ragged writings.’ And, yes, here were the mixing bowls, of all sizes, and utensils of every kind, to fabricate the raw substances of my experience into forms ready to be placed into the oven, to cook. Oh, the oven! The furnace of affliction! But without my fiery trials no dish would be fit to eat! The hidden manna was bread in me only after it was fired. For who would like to eat uncooked bread? Yuk! The dough un-fired was an inedible glutinous mess! My writings unproved, un-risen, and uncooked fed no one anything that was truly good.

   The woodshed:  Love truly, do what you like. The suggestion here is of absolute liberty and freedom if you, only love. In my lawless behind the woodshed escapes from the norm, in utter crazy faith that I was loved, and abandonment to that, I was found and redeemed. But any Life: and poetry here was unthinkable to good people. I was ‘black, but comely . . . as the tents of Kedar, as the curtains of Solomon.’ This place of source Life was extremely private and a continual harbour of never-ending unspeakable joy. Joy won through that obedience to Love which cannot on this Earth be spoken of: ‘I will give him a white stone, and in the stone a new name written, which no man knows saving he that receives it.’   
   Here the fuel for my fires was stored. It was being kept dry to be later taken into the house when it was needed. It was for the underlings of my radical ‘ragged writings’ there. Mostly this dark place was kept neat and tidy, with a crib for wood chips and shavings. The smaller fuel for the beginnings of fabulous things, the larger for the maintenance of them; but all the fuel was love, and only love. Love is the end of the law.



These are the titles of the next three ‘ragged writings’ of Amethyst Poetry: 

Coalmine Black

Beloved Lover

Sword of Unpuzzling Paradox











The Tree & the Lake of Colour


‘And the light shined out of darkness
And the darkness comprehended it not’

Truth out of the unknown
The earthly mind would not understand it    
Out of fear the light and joy the terror
And all the territory of the weak
The gentle strong
           
A vast level lake of brimming light is there
All silver-shine grey in translucid movings
As still as still yet hovering
On the surface

A single tree stands amid centre
The translucent enigma translating
Braving the homeward colours
Hidden in its appled isle
Of veiled Avalon

Out of that inner lake the vision the door open
Out of apple seed black the un-blinding light
All harvest moon white the gift unveiled
In story filled hues the quest’s end
All wrapped in these shiny tight seeings
           
Deeply helped, deeply freed, deeply filled to the brim
The colours the telling-things the gold of the seeker
Speaking in the peace light giving in its filling
Life filled hues hidden within this lake of colour

Books of grey, but prism turned and understood
A lake of given words the heart of Avalon
Ever present the seasoned light savours the message
While the underlying spirit waters the inner palate
And the tree above speaks out her own fearsome light

Out of spilt-blood red her fiery flame of Orange
Out of rich gold-yellow her harmless apple green                   
From dead-of-night indigo, horizon’s shimmer blue
And all her velvet purple pansies turning vermilion red 
           
Making of the tipped out space, flowerings of the rainlight
Forming from her emptied midst ecstatic bravings of the terror
           
The dreams will fit
Buried hopes beneath the lake of colour rise
All the brave of the King of Kings are here     
As Love’s arm pierces through her shining opal lake

Offering a new sword of twoedges made and true
A flaming sword of light cutting both ways at once
Truth’s discerner ever within my hidden parts 
Dividing me first to win of Love her endless life





Lines of Eight


Newness raised living found
And where I belong

Begins again the gifted trail
The throwing of straw for wheat
And loss for gain
Underneath
Eight were left me

I saw the land clearer, clear
The embracing fold it was always there
I never left it, nor was I ever apart from it
Dedicated the Presence to preserve and compass
And underneath
Eight little jewels were left me . . .

Liveliness rose spilling found
And where I hear

Rises again the flowing through
The exchanging of dust for gold
And gloom for starlight
Underneath
Eight were left me

I found the place nearer, near
The compassing hold it was always there
I never was separated from it, or ever away
The joining as water with water   
And above
Eight little streams were left me . . .

                        *
Anastasian surge-lets centering life
Enfolding abundance that resurrects
And there, tiny new truths are left me!
If, in new life’s raisings, razing
Lively little streams were ever newly forming!